I joined a couple of different photos to create this painting while demonstrating to my students the process of painting a landscape. I took photos from the lavender fields in Lenard OK and combined them w an old oil rig road that takes one out to the Osage Hills. To bid on this painting ( priced very low w no reserve ) click here
To visit my blog where you can purchase instructional DVDs, my book and read about my life as an artist: click here
Welcome to my blog where I post recent photos of my work and journal about my life as an artist. I live and work in Tulsa Oklahoma. It is from my early life in the mountains that I developed a love of the natural world which now includes vast prairies and endless skies. To contact me about a purchase all in lowercase letters you can write me at margee And then my last name @Gmail. Opening the web version of this blog gives the opportunity to purchase any of my how to books/videos, etc..
Sunday, August 26, 2012
Monday, August 20, 2012
Thursday, August 16, 2012
Jonquils 6x6 oil
This little painting was completed in the Spring. I just put it on auction this week with a portion of the proceeds going to the American Red Cross. The Red Cross is helping our neighbors out a lot right now with all the fires that have burned over 600 homes to the ground just down the road from us. To bid click here
my new zazzle store
my new zazzle store
Labels:
daffodils,
floral,
jonquils,
margaret aycock,
square
Saturday, August 11, 2012
Quiet River Bank 8x10 oil
I wish I could figure out how to photograph darks in a landscape so they come out right. I have completed several little paintings of scenes along this river and none of the photos do any of them justice. This one is on ebay auction this week, however. You can bid on it here and enter into my ebay gallery.
That's my Boy!
Jesse Aycock's new album draws in icons
By JENNIFER CHANCELLOR World Scene Writer
Published: 8/11/2012 2:07 AM
Last Modified: 8/11/2012 4:11 AM
Related story: Guitarist finds time to help out Tulsan.
"You can't plan this. I couldn't have planned this," he said recently.
Aycock is adding the finishing touches to an album he recorded at Church Studio earlier this year. It includes a constellation of stars - several of them his idols.
Two - multi-instrumentalist Neal Casal and drummer George Sluppick - are part of The Chris Robinson Brotherhood. That band makes its first appearance in Tulsa on Saturday at Cain's Ballroom.
Other guests on Aycock's album include Tulsa Sound icon and drummer Jimmy Karstein, Los Lobos guitarist David Hidalgo, Boondogs member Indy Grotto, longtime Tulsa bassist Eric Arndt and Little Rock studio wizard Jason Weinheimer.
Yes, the album's practically done. But it doesn't have a name, or a record label, or a distributor. Right now, he's OK with that, he said.
What's perhaps most impressive is how it all came together.
A somewhat peculiar incident put Aycock in touch with his idol Casal, "Way back when Myspace first came out," he said.
A woman from the Universal music group in London "contacted me after hearing my music and said I really needed to hear her friend Neal - Neal Casal," Aycock said. "I told her I loved his music. I had a bunch of his solo albums when I was a kid."
The woman sent Casal copies of Aycock's music.
In return, Casal wrote Aycock a letter.
"He said we should definitely do something, anything, sometime, anytime," he said. "He was working with Ryan Adams & The Cardinals at the time."
When that band came through Tulsa, "We hung out. We didn't do much, but we talked and talked."
Flash forward to an off-chance opportunity for Aycock to jam with drummer Sluppick through mutual friends in Little Rock. The pair became friends.
"Then, all this time later, I get a phone call from George. He said, 'Guess who I'm sitting with?' He was with Neal and said he'd just joined a band with Chris Robinson of the Black Crowes called the Chris Robinson Brotherhood."
Aycock stops, then explains, "The Black Crowes was one of the first live shows I ever went to as a kid."
Flash forward to early 2012. Aycock said he was driving around town, thinking about all the songs he'd been writing, "and I was wondering what I was going to do with them. When was I going to make an album? I was daydreaming about doing something with George and Neal and right while I'm thinking about that - my phone rang."
It was Sluppick.
"He said, 'I'm down to play some gigs or make a record, man, what'cha got?'"
Within weeks, the pair flew into Tulsa - and walked into the iconic Church Studio, the former recording home of many of their music idols, including former owner and Tulsa Sound founder Leon Russell. They're all big fans of the sound, one which Aycock also embodies - a blend of soul, country, blues, folk and straight-up rock 'n' roll.
About that time, a seemingly unrelated tour rolled through town - the Hendrix Experience Tour - which featured Los Lobos guitarist Hidalgo.
A friend of a friend of Hidalgo knew he'd be in Tulsa a day before the concert and picked him up to show him the world-famous Church Studio.
"I was recording in there and we'd just finished a bunch of stuff for the day. I didn't even know he was there," Aycock said.
"It was this amazing thing. David looked at me and asked, 'You care if I try something?' A hero of mine who just happened to show up went and got his custom guitar and we just had this huge jam session and hit record."
Aycock also regaled them all, especially Sluppick and Casal, with tales of Tulsa Sound musicians like J.J. Cale, Russell and Jimmy Karstein. "I told them Karstein still lived in town - that I should introduce them."
And he did. Next thing Aycock knows, Karstein wanted to play on the album, too. And he did.
"That's just one of those weird times that you can't ever plan for."
Sluppick and Casal were soon schooled by an original - Karstein - on the "good old days" at Church Studio, when Russell was at its helm.
"It's a lot different now than it was in the 1970s. There was the gorilla skin on the walls, the whole place was dark all the time, and sometimes Leon would wake everyone up at 5 a.m. to go in and track music. The vibe's still here, and they felt it. They really got into it. There's a lot of music history in these walls."
And though there's a lot of excitement and anticipation from everyone involved about this album, this "cosmic" coming together, Aycock said he's not in a particular rush to release the album.
"Before now, I've just released everything on my own. I've paid for everything myself," he said.
This time around, he's "shopping" the record, and hopes to get help with national and international promotion and distribution through record labels.
"Yes, this is an indie album - we did it all," he said. "I'm just not in a huge hurry to 'dump' it just to get it out there. I want this album to be heard."
By JENNIFER CHANCELLOR World Scene Writer
Published: 8/11/2012 2:07 AM
Last Modified: 8/11/2012 4:11 AM
Related story: Guitarist finds time to help out Tulsan.
Tulsa singer-songwriter Jesse Aycock says there's sometimes a cosmic energy that brings things together exactly when they're supposed to.
"You can't plan this. I couldn't have planned this," he said recently.
Aycock is adding the finishing touches to an album he recorded at Church Studio earlier this year. It includes a constellation of stars - several of them his idols.
Two - multi-instrumentalist Neal Casal and drummer George Sluppick - are part of The Chris Robinson Brotherhood. That band makes its first appearance in Tulsa on Saturday at Cain's Ballroom.
Other guests on Aycock's album include Tulsa Sound icon and drummer Jimmy Karstein, Los Lobos guitarist David Hidalgo, Boondogs member Indy Grotto, longtime Tulsa bassist Eric Arndt and Little Rock studio wizard Jason Weinheimer.
Yes, the album's practically done. But it doesn't have a name, or a record label, or a distributor. Right now, he's OK with that, he said.
What's perhaps most impressive is how it all came together.
A somewhat peculiar incident put Aycock in touch with his idol Casal, "Way back when Myspace first came out," he said.
A woman from the Universal music group in London "contacted me after hearing my music and said I really needed to hear her friend Neal - Neal Casal," Aycock said. "I told her I loved his music. I had a bunch of his solo albums when I was a kid."
The woman sent Casal copies of Aycock's music.
In return, Casal wrote Aycock a letter.
"He said we should definitely do something, anything, sometime, anytime," he said. "He was working with Ryan Adams & The Cardinals at the time."
When that band came through Tulsa, "We hung out. We didn't do much, but we talked and talked."
Flash forward to an off-chance opportunity for Aycock to jam with drummer Sluppick through mutual friends in Little Rock. The pair became friends.
"Then, all this time later, I get a phone call from George. He said, 'Guess who I'm sitting with?' He was with Neal and said he'd just joined a band with Chris Robinson of the Black Crowes called the Chris Robinson Brotherhood."
Aycock stops, then explains, "The Black Crowes was one of the first live shows I ever went to as a kid."
Flash forward to early 2012. Aycock said he was driving around town, thinking about all the songs he'd been writing, "and I was wondering what I was going to do with them. When was I going to make an album? I was daydreaming about doing something with George and Neal and right while I'm thinking about that - my phone rang."
It was Sluppick.
"He said, 'I'm down to play some gigs or make a record, man, what'cha got?'"
Within weeks, the pair flew into Tulsa - and walked into the iconic Church Studio, the former recording home of many of their music idols, including former owner and Tulsa Sound founder Leon Russell. They're all big fans of the sound, one which Aycock also embodies - a blend of soul, country, blues, folk and straight-up rock 'n' roll.
About that time, a seemingly unrelated tour rolled through town - the Hendrix Experience Tour - which featured Los Lobos guitarist Hidalgo.
A friend of a friend of Hidalgo knew he'd be in Tulsa a day before the concert and picked him up to show him the world-famous Church Studio.
"I was recording in there and we'd just finished a bunch of stuff for the day. I didn't even know he was there," Aycock said.
"It was this amazing thing. David looked at me and asked, 'You care if I try something?' A hero of mine who just happened to show up went and got his custom guitar and we just had this huge jam session and hit record."
Aycock also regaled them all, especially Sluppick and Casal, with tales of Tulsa Sound musicians like J.J. Cale, Russell and Jimmy Karstein. "I told them Karstein still lived in town - that I should introduce them."
And he did. Next thing Aycock knows, Karstein wanted to play on the album, too. And he did.
"That's just one of those weird times that you can't ever plan for."
Sluppick and Casal were soon schooled by an original - Karstein - on the "good old days" at Church Studio, when Russell was at its helm.
"It's a lot different now than it was in the 1970s. There was the gorilla skin on the walls, the whole place was dark all the time, and sometimes Leon would wake everyone up at 5 a.m. to go in and track music. The vibe's still here, and they felt it. They really got into it. There's a lot of music history in these walls."
And though there's a lot of excitement and anticipation from everyone involved about this album, this "cosmic" coming together, Aycock said he's not in a particular rush to release the album.
"Before now, I've just released everything on my own. I've paid for everything myself," he said.
This time around, he's "shopping" the record, and hopes to get help with national and international promotion and distribution through record labels.
"Yes, this is an indie album - we did it all," he said. "I'm just not in a huge hurry to 'dump' it just to get it out there. I want this album to be heard."
Friday, August 10, 2012
SOLD! Stormy Beach Reader 10x10 oil
This painting is an original oil on canvas. 10x10. Painted from photos taken during my vacation at the Gulf Coast. I want to read what he is reading. A big storm was fast approaching as one lone reader remained. I liked the color of the beach umbrellas, still in bright sunlight, against the stormy sky.
If you want to bid on this painting which starts at a very low auction price w no reserve, click here to visit my ebay auction.
Wednesday, August 08, 2012
Monday, August 06, 2012
12x12 Fruit Stand
I just finished painting this scene of a fruit stand and noticed a little slackening of the canvas so I ran cold water over the back and set it in the sun to stretch. I came back out in about an hour and noticed that ash from the fires that are raging about 30 miles down the road had entered the painting. I took a photo of it but now I think I will clear most, if not all of them off. But it does capture a moment in history doesn't it!?
I was painting this for inclusion in an upcoming 12x12 show where it will be for sale. If anyone wishes to purchase it before then for $325, let me know and I will find something else for the show.
Saturday, August 04, 2012
Painting and Dancing
Dancing is second in line to painting as a fun thing to do. When I went to tango I noticed everyone put their dancing shoes in a bag to carry them to class ( didn't want the leather soles to get scuffed up and dirty from the outside ) Anyways, I first created the painting and then got a brilliant idea.... put my tango still life on a canvas bag to carry dance shoes!
Friday, August 03, 2012
Deer in the Woods 9x11 oil Margaret Aycock
This is a painting of deer that had taken up residence in our out of the way campsite in the Wichita Mountains. It is brighter in real life. bad lighting today for photos. It is on auction this week on my ebay gallery. You can bid on it here
I just opened a really cool store too with a bunch of my paintings on aprons, bags, t shirts etc. you can check it out here Let me know what you think.
For other paintings, teaching DVDs, my book, visit my blog
I am having fun with my new store
I am slowly putting together a little store that will feature my paintings on t shirts, tea pots, aprons, tiles and more. Here is a little tile
Frilly Violet Iris Tile by Margaret Aycock Designs by MargaretAycockDesign
Browse for a different tile
Frilly Violet Iris Tile by Margaret Aycock Designs by MargaretAycockDesign
Browse for a different tile
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